But Crew is essentially local

Re: subpoetics

these younger kids have a different relation to the internet and art poetry:

net.cool.wicked movement group

Imagism (1914)--> Objectivism (1930)--> Projectivism (1950)--> Language (1971)--> Neoconceptualism/Flarf (2000)--> New York Crew (2009)

HIP OPENING METASCENCE





everything follows from an contradiction excluded underclass excluded middle

too close for nada gordon (HOW MANY PEOPLE READ THIS)


FLARFY PANTS

in response to your previous post

yeah, Flarfy Pants I think that hit it head on

I think mr hoy was getting at this. when he spoke at the reading


RE: Sullivan Pants
if the new generation doesn't go into academic postions if only assistant prof community college

already talk of New York Crew's death

Imagism (1914)--> Objectivism (1930)--> Projectivism (1950)--> Language (1971)--> Neoconceptualism/Flarf (2000)--> New York Crew (2009)


already talk of the end

are new york crew really cooler than kenny goldsmith and nada gordon?

these kids based in LA drinking coffee at Intelligentsia

canadian cyber kids break into our blogs

not engaged enough to have readings art show bankruptcy

didn't take poetry lacking historical habitus

is this microspectacle more interesting than proceedural poems/ or flary pants that's just how they survive in academia

kids art school youth embrace your freedom

- Kat

nada gordon: "they're stupid, not funny"

nada gordon: "they're stupid, not funny"

nycrew: "your (sic) just jealous cuz gary [sullivan] fantasizes about us and not you"

Balky Relaxes After a New York Club Reading

Gildsmite and Pavlov Discussing Plans to Write a Really Good Journal

Dwerk-chin slips During a Bowery House Reading

nada gordon: "they're stupid, not funny"

nycrew: "your (sic) just jealous cuz gary [sullivan] fantasizes about us and not you"

Tricky Thesis Construction



Harry Sullivan-Timpany Blarger

Santa-Genius Mastermind Ultrasmart Clever Symbol



- Macky the Bwork-Back Nit-Ron Tragedy-Rom-Blogger Sullivan

Indicative Impossibility




- Ronald Mac-R.J. Silliman-Blargins

Meta NY Crew

Where is NY? How do we identify it? The comforting new york of boardwalks and broadway lights has dissolved into a trance-replication of filioendocrinol hypercompatibilities relying on slubness and pre-post-derriere puddling. NYC t-shirts, movie sets, the capital quietus of the logometropolis contends the confluence of conflict as global metaphor into the downsizable mercantile. The technopatent of common creativity predominates the spaceless, where broadway is staged in the cherubic. The colonial entertainment option is an anglo-amplification which makes the scant present and the destitution of the foreign compatible. The globe's english irrodes the pasta-avant new york into the foreign new(tm) - the interplay of the ficto-capital multi-oppositional (the game dialectic of the inalterably identical) forces the meta(/)post contrast into commonality with the popular-radical.

Meta, however, is slightly cooler than non-meta, and the physical location of the transcendental ironic will always be subsidiary to the perfection of the patent-contained and virtual-oblivious. The fatten tictock post-american rating synopsis dream.

- Mlaz Sorry-Atari



There is no meta-NY crew, seriously WTF. They are net.wicked.cool wannabees.

- Ronald Mcdonald Slop-Ming

out cool

basic premise: use some notion of elite, cool art-world scene to out-cool language-conceptualism-flarf. this involves staging an engagement - in the gallery and on the internet. what happens?



what does new york crew look like? how cool are they? how cool are you? is coolness the blindspot of Language?

deconstructing the L=A=N=G=U=A=G=E brats



Artist Statement

"Flarf Fixie" (Theoretical Spaces Gallery, Brooklyn) is the first exhibition of the artist collective New York Crew, kicking off their series of visual works, performances and theory installations intended to critically engage the notion of a "contemporary historical avant garde of writing." "Flarf Fixie" examines recent discourses of "Conceptual Writing" and "Flarf" via the constitutive financial ontologies of fine art objects and art-school, hipster culture. A future show in Echo Park, Los Angeles, will similarly deconstruct self-reflexive blind spots in the power narratives of L=A=N=G=U=A=G=E and their students. Artist Statement







Artist Statement

"Flarf Fixie" (Theoretical Spaces Gallery, Brooklyn) is the first exhibition of the artist collective New York Crew, kicking off their series of visual works, performances and theory installations intended to critically engage the notion of a "contemporary historical avant garde of writing." "Flarf Fixie" examines recent discourses of "Conceptual Writing" and "Flarf" via the constitutive financial ontologies of fine art objects and art-school, hipster culture. A future show in Echo Park, Los Angeles, will similarly deconstruct self-reflexive blind spots in the power narratives of L=A=N=G=U=A=G=E and their students.